Posts Tagged ‘Wales’

Why I am a Welshman

Wednesday, January 11th, 2012

Welsh flagWell, surely one is or one isn’t! It’s actually far more complicated than that. Being Welsh isn’t a simple matter of your parents’ nationality, the location of your birth, or even where you live at present. Indeed, many nations of the world give the opportunity for citizens of another country to become naturalised citizens of their land and adopt a new nationality – once they go through a considerable number of hoops.

My passport confirms I am a citizen of the United Kingdom of Great Britain and Northern Ireland. As an aside, I have discovered that since 1983 I am no longer a British subject but a British citizen. Concealed in all that complexity is that fact that qualifying people in Wales, England, Scotland and Northern Ireland all have the status of British citizen and there is no mechanism to become a naturalised citizen of just one of those three nations or one province. This is all beginning to get very complicated and I recommend you take five minutes out to watch The United Kingdom Explained. It’s a fun piece but beware of some inaccuracies such as Anglesey, the Isle of Wight and the Scottish islands NOT being part of Great Britain and England, Scotland, Wales and Northern Ireland being “sovereign nations” with their own “Parliaments”. Ah, that it were so!

Anyway, I digress. This is all about me being Welsh. Was I born in Wales? No, sadly. I entered this world six weeks after the creation of the National Health Service (Architect: Aneurin Bevan – a Welshman) so I was free at the point of delivery which was Battle Hospital, Reading. My father? Born in London to English parents (with Irish and French one generation earlier). My mother, however, was born in Cilfynydd, a coal-mining community in the Rhondda Valley, to proud Welsh parents with many generations of North and South Welsh ancestry.

I loved our visits to South Wales as children and our times with our Welsh family and in the 1980s and early 90s I always felt at home when I travelled in Wales in my role of Wales Liaison Manager for the British Tourist Authority. The tipping point came when our elder son Mark moved to Llanberis in 2002. We visited regularly and both fell in love with North Wales and moved here in January 2007.

I realised almost immediately that for the first time in my life, I felt as if I’d truly come home. Some people scoff at the Welsh concept of hiraeth – a deep sense of longing for, and connectedness with, the land of Wales to its people and to its history. Hiraeth is probably the most tangible and real explanation I can give for my Welshness as it’s nothing to do with the more conventional Welsh icons all of which, other than the Red Dragon, are recent inventions. Rigby ball It’s only slightly connected with rugby – that’s only been the national sport since December 1905; it certainly has nothing to do with thick woollen shawls and silly tall hats – an invention of Lady Llanover in the 1830s;  daffodils only became a Welsh emblem in  1911, courtesy of David Lloyd-George, and the Welsh flag was only officially recognised in 1959!

No, I’m a Welshman because I know I am. I cry when I sing Calon Lân or Hen Wlad Fy Nhadau. I’m profoundly moved when I hear Katherine Jenkins, Bryn Terfel or Cerys Matthews. I am joyously transported 1400 years into Celtic history when I sit in Penmon Priory and think of St Seriol and St Cybi in their daily meeting at Llanerchymedd after a 20 mile walk. I long for their connectedness with God and with the land.

Welsh £1 coinsIt’s all summed up in a line from our National Anthem (also found on the edge of Welsh £1 coins) – Pleidiol wyf i’m gwlad – True am I to my country. 

Dw i’n Gymro balch.

 

The Grapes of Wrath and the 99%

Wednesday, November 23rd, 2011

Cover: The Grapes of WrathThe Guardian carried a piece by Melvyn Bragg titled, John Steinbeck’s bitter fruit that drew chilling parallels between the corporate greed and joblessness of Steinbeck’s The Grapes of Wrath and the situation in Britain today. Steinbeck has always been my favourite author since schooldays. I travelled from the bittersweet Of Mice and Men, via the wonderful Cannery Row and Tortilla Flats to the harrowing East of Eden and The Grapes of Wrath, a highly political novel for which Steinbeck received huge criticism. It was banned in schools and libraries, publicly burned, vilified on talk radio and condemned in Congress. Happily, most of all, it was read.

Steinbeck was clear about the guilt of the bankers in the Great Depression. As he prepared to write the novel, he said of them,

“I want to put a tag of shame on the greedy bastards who are responsible for this [the Great Depression and its effects].”

He made a statement in chapter 5 of the novel, published in 1939, which is even more true in 2011:

“The bank is something more than men, I tell you. It’s the monster. Men made it, but they can’t control it.”

Then in chapter 14 a passage could have been written for the “We are the 99%” of the Occupy movement:

“This is the beginning—from “I” to “we”. If you who own the things people must have could understand this, you might preserve yourself. If you could separate causes from results, if you could know that Paine, Marx, Jefferson, Lenin were results, not causes, you might survive. But that you cannot know. For the quality of owning freezes you forever into “I”, and cuts you off forever from the “we”. “

In 1962, he won the Nobel Prize for Literature despite the New York Times vilifying the award the day before,

“The Swedes have made a serious error by giving the prize to a writer whose limited talent is in his best books watered down by 10th-rate philosophising”

However, the Nobel Prize committee cited Grapes of Wrath as a “great work” and as one of the committee’s main reasons for granting Steinbeck the prize.

The saddest thing for me as I leafed back through my old copy of The Grapes of Wrath was that we never seem to learn the lessons of history. The Second World War that came hard on the heels of the Great Depression prevented social unrest arising from the poverty and anger from finding expression against the privileged few who prospered. We have fought two world wars and are still embroiled in military action overseas. People are finding expression for their anger and frustration through the Occupy movement. Let’s learn the lessons this time.

 

Footnote: Three unrelated Steinbeck facts.

 

  • Despite what most people think, “I know this… a man got to do what he got to do” was not said first by John Wayne, it was a quote from The Grapes of Wrath.
  • John Steinbeck Toured Wales in 1959 whilst researching The Acts of King Arthur and his Noble Knights which was published posthumously in 1976.
  • He used George Borrows’ wonderful book Wild Wales: Its People, Language and scenery for background for his first novel, Cup of Gold, about the Welsh pirate Henry Morgan.

 

One week down the road

Friday, October 2nd, 2009

exhaustedSo I’ve completed my first week of lectures: four one-hour lectures and a two-hour Welsh language class. That class took place on Wednesday moring despite my timetable saying Wednesday afternoon. I got an email Monday night to tell me of the change which clashed with seminars of course! To my surprise, the magic computer sorted the clash quickly and I’m in a Welsh class of three students – great way to learn a language but nowhere to hide!

Two of the four lectures were in a room that was too small (six students had no seats), with a non-working projector. I trust this chaos is purely timetable teething problems but we will see next week when seminars start. It was an exhausting week!

It’s going to be hard getting in to the practice of note-taking and I’m terrified about finding and reading the interminable list of books. One module asked for 11 hours lectures, 11 semininars/workshops and 175 hours of reading. Multiply that by four, add the Welsh lesson homework and I obviously have to give up sleeping. So how do students find all this drinking time I keep hearing about?

I do want to join some social activities but as I always have to drive, my options are restricted due to most society activity involving alcohol. The Welsh Learners’ Society was a big disappointment as they are all complete beginners. I was hoping to fnd people at a similar, or more advanced level, for conversational practice.

I do plan to talk about what I’m actually learning in my blogs but this week at Bangor has been largely administration. My abiding memory will be the warnings about the dire consequences of plagiarism and the ability of the University to spot it at 50 paces. All essays must be submitted electronically and they are crunched through software called MaeBrawrMawrSpioChi.com (BigBrotherIsWatchingYou.com).

Dolbardarn Castle

Dolbardarn Castle

However, the ‘Images of Wales’ module was great. One example was how Wales was seen up to about the 16th century as wild and untamed, so too its people were similarly portrayed as savages. Through contemporary art the lecturer showed how that image softened and matured. When Turner painted Dolbardarn Castle, Llanberis in 1802, the image was very dramatic. It’s a bit gentler now. The spot from which Turner painted his masterpiece is now a car-park and the background is now the terraces of Dinorwig quarry. Looking forward to next weeks’ Images of Wales lecture.